As literary and cultural activity. Whilst arguing that Kyiv’s modernist impulse is most prominently shown in the experimental work of Les Kurbas, 1 of the masters of the early Soviet phase, the contributors also examine the history of the metropolis and the chanel sverige creative production of diverse groups including Ukrainians, Russians, Jews, and Poles. Until now a silent existence in Western accounts of the cultural topography of modernism, multicultural Kyiv is here restored to its historic, intellectual, and creative complexity. The initial booklength evaluation of this topic, Modernism in Kyiv is a breakthrough accomplishment that will turn out to be a regular quantity in the field. Modernism in Kyiv restores the multicultural city of Kyiv to its rightful place as a significant participant in the dialogue and crosspollination of suggestions happening in between important modernist michael kors vaska sverige figures in centres such as Paris, New York, London, and Vienna. Participating and highly readable, this assortment is extraordinary in its scope, depth, and breadth.’ (Michael Naydan, Woskob Family Professor of Ukrainian Research, The Pennsylvania Condition College) Irena R. Makaryk is a professor in the Department of English at the University of Ottawa. Virlana Tkacz is the creative director of the Yara Arts Group in New York. For critiques: Modernism in Kyiv Introduction: “Reconnecting Modernisms” by IRENA R. MAKARYK Component 1 KYIV: ‘SPECIAL AND BEWILDERING’ one “Modernism in Kyiv: Jubilant Experimentation” by IRENA R. MAKARYK 2 “‘A Theatrical Mecca’: The Phases of Kyiv in 1907” by MAYHILL C. FOWLER (Princeton University) three “‘Special and Bewildering’: A Portrait of LateImperial and Early Soviet Kyiv” by MICHAEL F. HAMM (Centre School) 4 “Three Novels, Three Cities” by TARAS KOZNARSKY (University of Toronto) five “Movie in Kyiv, 19101916” by OLEH SYDORHYBELYNDA (Movie scholar and critic in chanel väska stockholm Kyiv) six “In the Epicentre of Abstraction: Kyiv during the Time of Kurbas” by DMYTRO HORBACHOV (KarpenkoKaryi National University of Theatre and Cinema) seven “The Yiddish KulturLige” by GENNADY ESTRAIKH (New York College) eight “Politics and the Ukrainian Avantgarde” by MYROSLAV SHKANDRIJ (College of Manitoba) nine “Kyiv’s Multicultural Theatrical Life, 19171926” by HANNA VESELOVSKA (KarpenkoKaryi National College of Theatre and Cinema) ten “In the direction of a New Eyesight of Theatre: Les Kurbas’s Work at the Younger Theatre in Kyiv” by VIRLANA TKACZ eleven “The Choreographic Avantgarde in Kyiv, 19161921: Bronislava Nijinska and Her Ecole de Mouvement” by MARIA RATANOVA (Harvard College) 12 “Kyiv, the nineteen twenties, and Modernism in Music” by DAGMARA TURCHYNDUVIRAK (formerly of the Insititute billiga mk vaskor of Arts, Folklore and Ethnography in Kyiv) 13 “Songs in the Theatre of Les Kurbas” by YANA LEONENKO (Petro Tchaikovsky National Music Academy of Kyiv) Component 4 THE INVISIBLE Made Noticeable fourteen “Les Kurbas’s Early Function at the Berezil: From Bodies in Movement to Performing the Invisible” by VIRLANA TKACZ 15 “Abstraction and Ukrainian Futurist Literature” by OLEH S. ILNYTZKYJ (College of Alberta) 16 “The Graphics Arts: From Page Design to